X-Git-Url: http://gb7djk.dxcluster.net/gitweb/gitweb.cgi?a=blobdiff_plain;f=victoria%2Fascendens-christus-in-altem%2FAscendens_Christus_In_Altum-4-Sanctus.ly;fp=victoria%2Fascendens-christus-in-altem%2FAscendens_Christus_In_Altum-4-Sanctus.ly;h=3dd214c6969b1703e1cc3422f0d65a6930712020;hb=abe943a7e793b81168e52ac83ca06f1766e2a712;hp=0000000000000000000000000000000000000000;hpb=8e2ae48e85494b43328e4c1d65b128687bd65b86;p=music.git diff --git a/victoria/ascendens-christus-in-altem/Ascendens_Christus_In_Altum-4-Sanctus.ly b/victoria/ascendens-christus-in-altem/Ascendens_Christus_In_Altum-4-Sanctus.ly new file mode 100644 index 0000000..3dd214c --- /dev/null +++ b/victoria/ascendens-christus-in-altem/Ascendens_Christus_In_Altum-4-Sanctus.ly @@ -0,0 +1,651 @@ +\version "2.19.40" + +#(set-default-paper-size "a4") +#(set-global-staff-size 16.2) +#(ly:set-option 'point-and-click #f) + +italicas=\override LyricText.font-shape = #'italic +rectas=\override LyricText.font-shape = #'upright +ss=\once \set suggestAccidentals = ##t +incipitwidth = 20 + +htitle="Ascendens Christus: 4. Sanctus" +hcomposer="Victoria" + +\header { + title=\markup{\fontsize #3 "4. Sanctus"} + subtitle="de la misa Ascendens Christus" + subsubtitle=" " + composer="Tomás Luis de Victoria (c.1548-1611)" + %opus="(-)" + poet="1592" + copyright=\markup{ + \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} + } + % tagline="" +} + +global={ + \key c \major \time 2/2 \skip 1*30 \bar "||" \time 3/4 + \skip 1*3/4*17 \bar "|." +} + +cantus={ + r2 d'4. e'8 | + f'4 e' f'4. g'8 | + a'4 d' a'2 ~ | + a' r4 g' ~ | + %5 + g'8 a' b' c'' d''2 | + c''4 bes' a' a' ~ | + a'8 b' c''4. b'8 a'4 | + g' f' e'2 | + R1*4/4 | + %10 + r4 d''2 cis''4 | + d'' a' bes'2 | + a'4 e' e' e' | + f'4. e'8[ d' c'] d'4 ~ | + d' cis'8 b cis'2 | + %15 + d'4 f'2 g'4 | + a'1 | + r4 d'' d'' d'' | + c''4. b'8 a' g' f' e' | % no queda bien el corchete de 5 notas + d'4 e' f' f' | + %20 + e' e' e' cis' | + d'2. cis'8 b | + cis' d' e' f' g'2 ~ | + g'4 f' e' e' | + e' c' d'2 | + %25 + e' r4 d' | + a'4. b'8 c''2 | + a'4. b'8 c''2 | + r4 a' a' a' | + a'1 | + %30 + a'\breve*1/2 | + \once \override TextScript.X-offset = #-3.7 + \once \override TextScript.padding = #2 + s4*0^\markup{\raise #.5 \musicglyph #"timesig.mensural34" \larger \larger " (" \smaller \smaller \smaller \column {\raise #.9 3 \raise #1.2 2} \larger \larger ")"} + R1*3/4 + d'4 f' g' | + a'2 f'4 g' e'2 | + f' r4 e' f' g' | + a'2 g'4 f' e'2 | + %35 + e' r4 g' b' cis'' | + d'' a'2 d'' cis''4 | + d''2 r4 d' f' g' | + a'2 f'4 g' e'2 | + fis'\breve*3/8 +} + +cantusdos={ + R1*4/4 | + R1*4/4 | + d'4. e'8 f'4 e' | + f' e'8 d' e' f' g' d' | + %5 + g'4 e' f' a' ~ | + a' g' f' e' | + f' e' e'2 | + R1*4/4 | + e'4. f'8 g'4 a' | + %10 + b'2 e'4 a' ~ | + a'8 g' f' e' d'2 ~ | + d'4 cis'8 b cis'2 | + d' r | + e'4. e'8 e'4 f' ~ | + %15 + f'8 e' d' c' d'2 ~ | + d'4 cis'8 b cis'2 | + d'4 f'2 g'4 | + a'1 ~ | + a' ~ | + %20 + a' | + r2 r4 a' | + a' a' bes'2 ~ | + bes' a' | + r4 a' f' g' | + %25 + a'4. g'16 a' bes'4 a' ~ | + a'8 g' f'2 e'4 | + f' a' a' a' | + a'4. g'8 f'4 e' | + d'8 e' f' d' e'2 | + %30 + fis'\breve*1/2 | + R1*3/4 + a'4 a' b' | % errata en Turner a' a' a' + c''2 d''4 d''2 cis''4 | + d''2 r4 a' a' b' | + c''2 b'4 a'2 gis'4 | + %35 + \set Staff.autoBeaming = ##f + a'8 e' e'4 fis' g'2 e'4 | + \set Staff.autoBeaming = ##t + f'4. g'8 a'4 bes' g'2 | + a' r4 f' a' c'' | + %\override LigatureBracket.style = #'dashed-line + c''2 bes'4 ~ bes' a'2 % notacion negra + a'\breve*3/8 + +} + +altus={ + R1*4/4 | + R1*4/4 | + R1*4/4 | + a4. b8 c'4 d' | + %5 + e'2 a4 f' ~ | + f'8 e' d'2 cis'4 | + d' e' a e' ~ | + e' d' c' b | + c' b4. a8 a4 ~ | + %10 + a gis a2 | + \[a d\] | + a r4 a | + a a bes2 | + a r | + %15 + R1*4/4 | + e'4. e'8 e'4 f' ~ | + f'8 e' d' c' d'4 d' | + e'4. d'8 e'4 f' ~ | + f'8 e' e'4. d'8 d'4 ~ | + %20 + d' cis' cis'8 d' e' f' | + g'[ f'] f'[ e'16 d'] e'4 e' | + e' \ss cis' d' e' ~ | + e'8 d' d'2 cis'8 b | + \ss cis' d' e'4. d'8 d'4 ~ | + %25 + d' cis' d' d' | + c'1 | + c'2 r4 c' | + c' c' d' e' | + f' d'2 cis'4 | + %30 + d'\breve*1/2 | + d'4 d' e' f'2 e'4 | + a8[ b c' a] bes4 g a2 | + d'2. + R1*3/4*3 | + %35 + a4 c' d' e'2 a4 | + d'4. e'8 f'4 g' e'2 | + d' r4 d' d' e' | + \[f' c'\] d' d'2 cis'4 | + d'\breve*3/8 +} + +tenor={ + d4. e8 f4 g | + a2 d4 a ~ | + a b c'2 | + d'4 c'2 b8 a | + %5 + b4 g d' d8 e | + f4 g a2 | + d4 a4. b8 c'4 ~ | + c'8 b a2 gis4 | + a g2 f8 e | + %10 + d2 e | + f2. g4 | + e2 a4. g8 | + f g a f g2 | + e4 a a a | + %15 + bes2 bes | + a2. a4 | + d d2 d4 | + a1 ~ | + a | + %20 + r4 a a a | + bes2 a ~ | + a4 a g2 ~ | + g a | + R1*4/4 | + %25 + r4 a f4. g8 | + \[a2 g\] | + f r | + r4 a a a | + a1 | + %30 + a\breve*1/2 | + R1*3/4*4 + a4 a b c'2 b4 | + a8[ b c' a] d'4 ~ d'8 c'8 b a b4 | + %35 + a2 r4 | + R1*3/4*3 | + d4 f g \[a d\] g | + f4. e8[ d c] d4 a2 | + a\breve*3/8 +} + +bassus={ + R1*4/4 | + r2 d4. e8 | + f4 g a2 | + d4 a2 g8 f | + %5 + e2 d | + R1*4/4 | + r2 a,4. b,8 | + c4 d e2 | + a,4 e2 d8 c | + %10 + b,2 a, | + d4. c8 bes,4 g, | + a,2 r4 a, | + d d g,2 | + a,1 | + %15 + R1*4/4 | + r4 a, a, a, | + bes,2 bes, | + a,4. b,8 cis4 d ~ | + d8 cis cis4 d d | + %20 + a,1 | + R1*4/4 | + R1*4/4 | + r2 r4 a | + a a bes2 | + %25 + a4 a, d4. e8 | + \[f2 c\] | + f,4 f f f | + f4. e8 d4 cis | + d2 a, | + %30 + d\breve*1/2 | + R1*3/4*4 + d4 f g a2 g4 | + f8[ g a f] g4 d e2 | + %35 + a, r4 + R1*3/4*4 | + d4 d c | + %\override LigatureBracket.style = #'dashed-line + f,2 bes,4 g, a,2 % notacion negra + d\breve*3/8 +} + +textocantus=\lyricmode{ + San -- _ _ _ _ _ _ _ ctus _ + \italicas + San -- _ _ _ _ _ _ _ ctus, + \rectas + San -- _ _ _ _ _ _ _ ctus + \italicas + San -- _ _ _ _ ctus, + \rectas + Do -- mi -- nus De -- _ _ _ _ _ _ _ _ us + Sa -- ba -- oth % hot + Do -- mi -- nus De -- _ _ _ _ _ _ us + Sa -- ba -- oth. + Ple -- ni sunt cæ -- _ _ _ _ _ _ _ _ _ li, + ple -- ni sunt cæ -- li et ter -- _ _ ra __ _ _ + glo -- ri -- a tu -- a. + Ho -- san -- na in ex -- cel -- _ sis % O -- san -- na + \italicas + ho -- san -- na in ex -- cel -- _ sis + \rectas + ho -- san -- na in ex -- cel -- _ sis + \italicas + ho -- san -- na in ex -- cel -- _ sis. % _ cel -- sis para hemiolia? + +} + +textocantusdos=\lyricmode{ + San -- _ _ _ _ _ _ _ _ _ _ _ _ ctus, + \italicas + San -- _ _ _ _ _ _ ctus + \rectas + San -- _ _ _ _ ctus, + \italicas + San -- _ _ _ _ _ _ _ _ _ ctus + \rectas + Do -- mi -- nus De -- _ _ _ _ _ _ _ _ _ us + Sa -- ba -- oth. _ _ + Ple -- ni sunt cæ -- _ li et ter -- _ _ _ _ _ _ _ _ _ _ ra, + glo -- ri -- a tu -- _ _ _ _ _ _ _ _ a. + Ho -- san -- na in ex -- cel -- _ sis + ho -- san -- na in ex -- cel -- _ sis, + ho -- san -- na in ex -- cel -- _ _ _ _ sis + \italicas ho -- san -- na in ex -- _ cel -- sis. + +} + +textoaltus=\lyricmode{ + San -- _ _ _ _ ctus, + \italicas + San -- _ _ _ _ _ _ ctus, + \rectas + San -- _ _ _ _ _ _ _ _ _ _ ctus, + \italicas + San -- _ ctus + \rectas + Do -- mi -- nus De -- us + Do -- mi -- nus De -- _ _ _ _ _ us + Sa -- _ _ _ _ _ _ _ _ _ ba -- oth. __ _ _ _ _ _ _ _ _ _ + Ple -- ni sunt cæ -- _ _ _ _ _ _ _ _ _ _ _ _ _ li, et ter -- ra + glo -- ri -- a tu -- _ _ _ _ a. + Ho -- san -- na in ex -- cel -- _ _ _ _ _ _ sis + \italicas ho -- san -- na in ex -- cel -- _ _ _ _ sis + ho -- san -- na in __ _ ex -- cel -- _ sis. + +} + +textotenor=\lyricmode{ + San -- _ _ _ _ ctus, + \italicas + San -- _ _ _ _ _ _ _ _ _ ctus, + San -- _ _ _ _ ctus, + \rectas + San -- _ _ _ _ _ _ \italicas + ctus, + San -- _ _ _ \rectas + ctus, + \italicas + San -- _ ctus, + \rectas + San -- _ _ _ _ _ _ ctus, + Do -- mi -- nus De -- us Sa -- ba -- oth, + Sa -- ba -- oth. _ + Ple -- ni sunt cæ -- li _ + et ter -- _ ra + et ter -- _ _ _ ra + glo -- ri -- a tu -- a. + Ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ _ _ sis + \italicas ho -- san -- na in __ _ ex cel -- _ _ _ _ _ sis. + +} + +textobassus=\lyricmode{ + San -- _ _ _ _ ctus, + \italicas + San -- _ _ _ ctus + \rectas + San -- _ _ _ _ ctus, + \italicas + San -- _ _ _ ctus, + \rectas + San -- _ _ _ ctus + Do -- mi -- nus De -- us + Do -- mi -- nus De -- us + Sa -- _ _ _ _ _ _ _ ba -- oth. + Ple -- ni sunt cæ -- li, et ter -- _ _ _ ra, + glo -- ri -- a tu -- _ _ _ _ _ a. + Ho -- san -- na in ex -- cel -- _ _ _ _ _ _ sis + \italicas ho -- san -- na in ex -- cel -- _ sis. % _ cel -- sis para hemiolia? + +} + + +incipitcantus=\markup{ + \score{ + { + \set Staff.instrumentName="Cantus I " + \override NoteHead.style = #'neomensural + \override Rest.style = #'neomensural + \override Staff.TimeSignature.style = #'neomensural + \cadenzaOn + \clef "petrucci-g" + \key f \major + \time 2/2 + g'2. + } + \layout { + \context { + \Voice + \remove Ligature_bracket_engraver + \consists Mensural_ligature_engraver + } + line-width=\incipitwidth + indent = 0 + } + } +} + +incipitcantusdos=\markup{ + \score{ + { + \set Staff.instrumentName="Cantus II " + \override NoteHead.style = #'neomensural + \override Rest.style = #'neomensural + \override Staff.TimeSignature.style = #'neomensural + \cadenzaOn + \clef "petrucci-g" + \key f \major + \time 2/2 + g'2. + } + \layout { + \context { + \Voice + \remove Ligature_bracket_engraver + \consists Mensural_ligature_engraver + } + line-width=\incipitwidth + indent = 0 + } + } +} + +incipitaltus=\markup{ + \score{ + { + \set Staff.instrumentName="Altus " + \override NoteHead.style = #'neomensural + \override Rest.style = #'neomensural + \override Staff.TimeSignature.style = #'neomensural + \cadenzaOn + \clef "petrucci-c2" + \key f \major + \time 2/2 + d'2. + } + \layout { + \context { + \Voice + \remove Ligature_bracket_engraver + \consists Mensural_ligature_engraver + } + line-width=\incipitwidth + indent = 0 + } + } +} + + +incipittenor=\markup{ + \score{ + { + \set Staff.instrumentName="Tenor " + \override NoteHead.style = #'neomensural + \override Rest.style = #'neomensural + \override Staff.TimeSignature.style = #'neomensural + \cadenzaOn + \clef "petrucci-c3" + \key f \major + \time 2/2 + g2. + } + \layout { + \context { + \Voice + \remove Ligature_bracket_engraver + \consists Mensural_ligature_engraver + } + line-width=\incipitwidth + indent=0 + } + } +} + +incipitbassus=\markup{ + \score{ + { + \set Staff.instrumentName="Bassus " + \override NoteHead.style = #'neomensural + \override Rest.style = #'neomensural + \override Staff.TimeSignature.style = #'neomensural + \cadenzaOn + \clef "petrucci-c4" + \key f \major + \time 2/2 + g2. + } + \layout { + \context { + \Voice + \remove Ligature_bracket_engraver + \consists Mensural_ligature_engraver + } + line-width=\incipitwidth + indent = 0 + } + } +} + + + + + +\score { + \transpose c' ees'{ + \new ChoirStaff<< + + \new Staff << + \global + \new Voice="v1" { + \set Staff.instrumentName=\incipitcantus + \clef "treble" + \cantus + } + \new Lyrics \lyricsto "v1" {\textocantus } + >> + + \new Staff << + \global + \new Voice="v5" { + \set Staff.instrumentName=\incipitcantusdos + \clef "treble" + \cantusdos + } + \new Lyrics \lyricsto "v5" {\textocantusdos } + >> + + + \new Staff << + \global + \new Voice="v2" { + \set Staff.instrumentName=\incipitaltus + \clef "treble" + \altus + } + \new Lyrics \lyricsto "v2" {\textoaltus } + >> + + + \new Staff << + \global + \new Voice="v3" { + \set Staff.instrumentName=\incipittenor + \clef "G_8" + \tenor + } + \new Lyrics \lyricsto "v3" {\textotenor } + >> + + + \new Staff << + \global + \new Voice="v4" { + \set Staff.instrumentName=\incipitbassus + \clef "bass" + \bassus + } + \new Lyrics \lyricsto "v4" {\textobassus } + >> + + >> + + }%transpose + + \layout{ + \context { + \Lyrics + \override VerticalAxisGroup.staff-affinity = #UP + \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = + #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) + %\override LyricText.font-size = #1.2 + \override LyricHyphen.minimum-distance = #0.5 + } + \context { + \Score + tempoHideNote = ##t + \override BarNumber.padding = #2 + } + \context { + \Voice + melismaBusyProperties = #'() + %autoBeaming = ##f + } + \context { + \Staff + %\RemoveEmptyStaves + %\override VerticalAxisGroup.remove-first = ##t + \override VerticalAxisGroup.staff-staff-spacing = + #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) + \consists Ambitus_engraver + \override LigatureBracket.padding = #1 + } + } + + \midi { + \context { + \Score + midiInstrument = #"electric piano 1" + } + \tempo 2 = 50 + } + +} + + +\paper{ + evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } + oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } + %system-count=20 + %page-count = 8 + ragged-last-bottom = ##f + indent=3.5\cm + system-system-spacing = + #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) + top-system-spacing = % header + #'((basic-distance . 10) (minimum-distance . 0) (padding . 0)) + last-bottom-spacing = % footer + #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) + +} + + +%{ +convert-ly (GNU LilyPond) 2.19.40 convert-ly: Processing `'... +Applying conversion: 2.19.2, 2.19.7, 2.19.11, 2.19.16, 2.19.22, +2.19.24, 2.19.28, 2.19.29, 2.19.32, 2.19.40 +%}